The Flesh modulation Effect is a FM transmitter audio effect. It has a stereo analog input (Line level), and transmits FM radio at it’s output.
The user has real time control of volume, input gain, modulation, dither, transmit level, and pilot level. The antenna can be removed and replaced with different antenna lengths (which affects transmit level).
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I think I’m getting arthritis in my hands:
The drums on here are sampled from record with the sp1200, run through the Flesh Modulation effect, recorded onto PC, and then loaded into the MPC. The drums are not quantized (except the ride). All the synth sounds are the Meeblip run the the OTO Biscuit.
Another loop using the 2880:
This one is using the MPC for drums (sampled into the SP1200 and filtered with the FM filter first), the Meeblip for the lead and counter lead (ran through the OTO Bisquit), and the little phatty for the drone bass/midrange sound. Everything is played live into the 2880 looper (except the drums). The 2880 was the MIDI master, and the MPC was the MIDI slave.
This was an album I released in 2008. It’s a bunch of loops made with a lot of different tools and such. There’s some LSDJ Game Boy stuff on there, Roland PMA-5, SP1200, MPC2000xl, straight Fruity Loops, etc.. A bunch of different stuff…
Here’s a preview of a few beats:
8_bit_ch:
Hs_60_95_2:
Still_Love_1:
Mozart2:
The entire album is here:
Thirdy – Flesh O.N.E.
I’m gonna kick of the beats section with this fella. Let me know if you have any problems with the player on any devices.
FM Crunch Time:
All sounds were run through Flesh Modulation effect (FM). After running through FM, the drums were sampled into the mpc2000xl and sequenced. The “melody” was sequenced in fruity loops. Fruity loops and the mpc were synced via MIDI. The sound at the intro is scratching through FM.